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青春版昆曲《牡丹亭》有别于近现代昆曲教育史上戏曲学校和剧团学馆的人才培养模式,它坚持以戏育人,借助一部剧目的制作和排演来为学校毕业后的青年演员搭建“持续性”的培养渠道和平台。此剧用昆曲的美学传统和现代的制作理念为演员的培养提供了优质的保障。在青春化和现代化的舞台演绎中秉承昆曲“正统、正宗、正派”的表演风格。通过长时间、高强度的舞台演出和巡演实践来锤炼和锻造青年演员的基本功底和舞台经验。在近现代昆曲教育上开辟了一条行之有效的育人之路,对昆曲艺术的传承和昆曲人才的培养提供了新的范式。
The Youth Version of Kunqu Opera “The Peony Pavilion” is different from the mode of talent cultivation of opera schools and theaters and schools in the history of modern Kunqu opera. It insists on building and rehearsing opera for the youth actors after graduation “Continuous ” training channels and platforms. This play uses the aesthetic tradition of Kunqu opera and modern production concept to provide high quality assurance for the cultivation of performers. Adhering to the Kunqu opera “orthodox, authentic, decent ” performance style in the stage of youthfulness and modernization. Through a long time, high-intensity stage performance and tour practice to temper and forge young singer’s basic skills and stage experience. In recent modern Kunqu Opera has opened up an effective way to educate people, Kunqu Opera inheritance and Kunqu song talent training provides a new paradigm.