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身处遥远的异国,周慕云仍无法忘记过去与苏丽珍之间的种种。如果当天苏丽珍真的答应跟周慕云走,他们现在会不会还在一起?亦或注定分离,各分东西?也许有人会说,自从他们在同一天搬进同一层楼房,成为门户比邻的邻居,命运已将他们放在一起了。而当他们发现彼此的配偶间竟发生了不可告人的关系的时候,在他们之间更像是牵连着无形的线,要割也割不断。花样的年华,月样的精神,周璇[花样的年华]的调子更适合周慕云和苏曼珍去追忆往昔的浪漫岁月,他们的故事属于旧香港,属于吴哥窟,属于那个花样的年代。还记得[阿飞正传]的结尾处,梁朝伟饰演的人物在旅馆房间内梳洗打扮后,进入我们视线的已然是个准周慕云了,而和她约会的对象显然是刘嘉玲饰演的咪咪,也或者是已偷渡菲律宾的苏丽珍,总归这是王家卫个人的一个梦,梦到哪就是哪。有人说,[阿飞正传]、[花样年华]、[2046]是王家卫的矫情自慰三部曲,说王家卫的电影太法国化了,根本就不适合东方人和香港的市场。或许他说的有道理,不过现在,这些已经不重要。
In a distant exotic country, Zhou Muyun still can not forget the past and Su Lizhen between the species. If Su Li-jeong really promised to go with Zhou Mu-yun on the very day, will they still be together now, or are they destined to separate themselves from each other? Perhaps someone would say that since they moved into the same floor on the same day to become neighbors to their neighbors, Destiny has put them together. And when they find out that their spouses have come to an ulterior relationship, it seems more like an invisible line between them, cutting and cutting. The kindness of the pattern, the spirit of the month-like sample, Zhou Xuan [Love] is more suitable for Zhou Mu Yun and Su Manzhen to recall the romantic years, their stories belong to the old Hong Kong, belongs to the Angkor Wat, belongs to the pattern of the era. I still remember the end of [As Fei] at the end, Tony Leung played the characters in the hotel room after the grooming into our line of sight is already a prospective Zhou Muyun, and her date is apparently Carina Lau Mimi, or Has stolen the Philippines Su Lizhen, this is always a personal dream of Wong Kar-wai, where is the dream. Some people say that [A Founder Biography], [Mood for Love], [2046] is Wong Kar-Wai’s hypocritical masturbation trilogy, saying that Wong Kar-wai’s films are too French and are not suitable for Asians and Hong Kong markets. Perhaps he said that makes sense, but now, these are not important.