指引与规约——从《内蒙春光》的修改看建国初期少数民族电影创作的困境

• 作 者: 王广飞
• 机 构: 大同大学,
• 出 处: 当代电影
• 发表日期: 2012年03期
• 关键词: 少数民族题材 电影创作 建国初期 影片拍摄 叙事情节 雷同化 人物形象 民族政策 干学伟 新中国

新中国第一部少数民族题材影片《内蒙春光》因有违反民族政策的内容被要求修改,修改后更名为《内蒙人民的胜利》,成为建国初期少数民族题材影片拍摄的范本。之后拍摄的少数民族题材影片都按照固定套路创作,不可避免地出现了叙事情节雷同化和人物形象概念化的现象。

Nei Mengnong, the first minority film on the theme of ethnic minorities in New China, was asked to revise because of a violation of the ethnic policy. After the revision, the film was renamed “the victory of the people in Inner Mongolia” and became the model filming of ethnic minority films in the early days of the founding of New China. After the filming of ethnic minority films are based on a fixed routine creation, the inevitable emergence of the narrative plot of the assimilation and the conceptualization of the phenomenon of characters.