论文部分内容阅读
研究文学的人往往习惯于把一部作品放到文学史的背景中去评论。但不可否认,小说也是一种大众的文化消费,尤其是畅销书。从消遣、娱乐、移情的角度说,畅销书的作用和电影、电视、卡拉OK亦大致相仿。在商业化了的图书市场上,畅销书更可能是一种文化现象,而非文学现象,它是大众社会大众文化的必然。像《廊桥遗梦》这样一本拥有千百万读者的小说,难道不是我们了解社会心理的一个现成窗口吗? 《廊》使我首先联想到的是另外两本同样轰动一时的美国畅销书:《爱情故事》和《海鸥乔纳森》,而《廊》似乎兼有了前者刻骨铭心的爱情故事和后者超越自我的愿望。对超越而言,海鸥的飞行或男女的爱情
People who study literature are often accustomed to commenting on a work in the context of literary history. However, it is undeniable that fiction is also a kind of popular cultural consumption, especially bestseller. From the perspective of entertainment, entertainment and empathy, the role of bestseller is similar to that of movies, television and karaoke. In the commercialized book market, bestseller is more likely to be a cultural phenomenon than a literary phenomenon, and it is an inevitable result of mass social mass culture. Is not this a ready-made window on social psychology that a novel with millions of readers such as The Covered Bridge? The gallery reminds me of two other equally popular American bestseller books : “Love Story” and “Jonathan Seagull”, while “Gallery” seems to have both the former unforgettable love story and the latter’s desire to transcend oneself. For transcendence, seagulls fly or love of men and women