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如何科学地认识、理解“中国音乐风格”的内涵?这是一个与弘扬民族音乐有关的亟待解决的重要研究课题。在我国音乐界“中国音乐风格”问题争论已久,至今仍是众说纷纭、莫衷一是。故很有必要进行一番思辨和探讨。一毫无疑问,诸如那种习惯地视“中国音乐风格”为五声音阶之类,单纯从调式、旋法、结构、曲式特性等乐曲的浅层表现形式去标识“中国音乐风格”是历史陈旧的一页,已不足为训。近年来出现的一种新的倾向是把“中国音乐风格”“玄化”、“神化”,将“中国音乐风格”仅仅理解为曲作的所谓“精、气、神”,视
How to understand and understand the connotation of “Chinese music style” scientifically? This is an important research topic that urgently needs to be solved in connection with carrying forward national music. In our music industry, the controversy over the issue of “Chinese music style” has long been controversial and divided. Therefore, it is necessary to conduct some speculation and discussion. No doubt, such as the kind of habit of viewing “Chinese musical style” as the pentatomic scale, simply marking the “Chinese musical style” from the superficial expressions of musical styles such as style, rotation, structure and music is history The old page is not enough for training. A new tendency emerged in recent years is that “Chinese music style” is “metaphorical” and “deified” and the “Chinese musical style” is merely understood as the so-called “essence, spirit, and spirit”