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搞艺术的,一提到“青年”,往往会使人联想到“先锋”或者“另类”;提到“处女作”,则很容易使人联想到“毛嫩”或者“稚涩”。然而,作为北京人民艺术剧院“青年处女作展演”的第一部戏,黄游的《四川好人》却令人欣喜地没有沾染上时下普遍流行的这些“青年病”,它既机智又尖锐;既破陈立新又有板有眼;既是拿来主义的舶来品,又随处可见传统中国的遗风余韵;形式上花样百出,热闹非凡,让人眼花缭乱,内容也难得的扎实深刻,发人深省……用一句酷似广告的话:融合之妙,尽在《四川好人》！
When it comes to the arts, the mention of “youth” often leads to “pioneer” or “alternative.” Referring to “debut,” it is easy to associate “Mao Nen” or “childish.” However, as the first play of the Beijing Young People’s Art Theater’s “Young Virgin Show”, Huang You’s “Good Man in Sichuan” is happily not contaminated with these “youth diseases” that are prevalent nowadays. It is both witty and sharp; both Broken Chen Lixin another board has eye-catching; both is the fetish of imported goods, but also the legacy of traditional China can be seen everywhere; the form of tricks, bustling, dazzling, content is also a rare deep, thought-provoking ... with an ad-like words: fusion The wonderful, all in “good people in Sichuan!”