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一、戏曲剧本的立意及其呈现每一个导演创作的立足点各不相同,都有自己的习惯和思维。我也有我的一些习惯,比如在选择剧本的时候,首先要看它有没有精彩的故事,有没有鲜明的矛盾冲突以及有没有一两个、两三个性格突出的人物。情节、冲突、人物这些是前提。剧本没有一个像样的故事,很难吸引观众的;没有一个鲜明强烈的冲突,戏剧性的营造就容易受影响;没有鲜明的人物性格,人物就会没有行为动作、没有独特性,导演在舞台上处理起来,就很难表现出一个戏的个性。很多时候,对于剧本,只有在“这个故事很吸引我”的基础上才能做更“深入的思考”。
First, the drama script’s conception and its presentation Each director’s foothold varies, have their own habits and thinking. I also have some of my habits. For example, when choosing a script, we must first look at whether there are any wonderful stories, whether there are any sharp conflicts and whether there are one or two or two or three prominent personalities. Plot, conflict, people These are the prerequisites. The script does not have a decent story, it is difficult to attract the audience; not a sharp and violent conflict, the dramatic creation is easily affected; no distinctive character, the character will be no action, no uniqueness, the director on stage Up, it is difficult to show a play personality. Oftentimes, for the script, more “deep thinking” can only be done on the basis that “this story is very attractive to me.”