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中国油画历经一个多世纪的引进、吸收、融合、变革后,至今已摒除了技术性的障碍,渐渐趋向于成熟与理性。画家们不再盲目地追从于西方的艺术观念和不断变换出新的样式,而是在现实生活的体验中赋予本土的人文关怀和文化内涵,使从西方传进来的油画成为中国美术中最具表现力的一种艺术形式。郭玉川,一位精神家园的守候者,秉承中国古代山水画的东方思维观照方式,运用西方现代绘画的构成等手法,在具象写实性绘画中,以冷静的表现主义笔触,创造出独特的巴山意象,成为中国新乡土油画的中坚力量。
After more than a century of introduction, absorption, integration and transformation of Chinese oil painting, the technical barriers have been eliminated so far and they have gradually become more mature and rational. Instead of blindly pursuing western artistic concepts and changing new styles, painters no longer blindly follow the Western concept of humanity and cultural connotation in the experience of real life, making the oil paintings from the West become the most important part of Chinese art A form of expressive art. Guoyu Chuan, a mentor of the spiritual homeland, upholds the Oriental way of thinking of ancient Chinese landscape painting and uses the techniques of western modern painting to create a unique image of Bashan in a realistic and realistic painting with his cool expressionist brushwork , Become the backbone of China’s new native oil painting.