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当年,我到北京来拜王瑶卿先生为师,头一出戏学唱的就是《四郎探母》。这出戏本是师父的拿手戏。他当初陪谭鑫培老先生唱这出戏,成了他们有名的对儿戏。师父早年在宫中演戏,接触过不少旗人贵妇,对他们的行动坐卧,有过仔细的观察。我向师父学《四郎探母》铁镜公主的时候,师父首先就告诫我:旗人规矩大,礼数多,梳上旗头可不能来回晃,回身看东西的时候,头跟身子要一块儿转。这样才透着端庄、有身分。公主出场唱四句〔西皮摇板〕:“芍药开牡丹放花红一片,艳阳天春光好百鸟声喧……”师父教的与一般唱的不大一样,“丹”字要高,“艳阳天”不能太长,唱得干净利落,“好”字耍腔,“百”短促,“鸟”和“喧”放出去。这两句唱来有跳跃性,表现了她此时心情上的轻松愉快,和她上场时轻盈的步法
That year, I went to Beijing to worship Mr. Wang Yaoqing as a teacher, the first drama to sing is “Si Lang exploration of the mother.” This play is Master’s masterpiece. He had to accompany Tan Xinpei old gentleman to sing this play, became their famous pair of children’s play. In his early years, Master acted in the palace, touched many banner ladies, and laid their heads to their actions. They had observed carefully. When I was studying Master Princess Siro with her master, Master first warned me that the banner people should be big and premeditated, and should not go back and forth when combing the flag. When looking back and looking at things, they would like to share with their bodies turn. This reveals a dignified, identity. The princess played four sing [Sipi rocker]: “Peony open bloom put a red, bright sunny day birds sound good ... ...” Master taught and general singing is not the same, “Dan” word high, “sun Heaven ”can not be too long, singing neat,“ good ”word play,“ Hundred ”short,“ bird ”and“ noisy ”release. These two words sing to have the jump sex, demonstrated her at this time the mood relaxed relaxedly, and her light steps