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在八四年的金秋时节,在首届“江淮之秋”歌舞节上,一场抒情歌曲剧《冰湖上的篝火》(刘传铭、任国栋编剧,于兵、谢国华作曲)引起了人们极大的兴趣。著名评论家李凌说:“《冰湖上的篝火》(下简称《冰》)对中国新歌剧发展,有着普遍的启迪意义。”剧作家魏明伦说:“一个省的歌舞节,有这么一台戏就够本了!”一位摄影师拍剧照时,忍不住要用手拭去眼角的泪花;一位大学生看完后高兴地说,“为此我旷了两节课,但我认为值得”……应该承认,我们中国的歌剧舞台,目前还处在一个“冰冻”期,为什么该剧能突发新声,醒人耳目?这中间大概有不少东西值得我们去研究,去思考。这是一个完全虚构的故事:女青年舒芸和诗人林凡哥是一对恋人,他们在除夕之夜,返回美丽的如琴
In the autumn of 1984, a ballad song “Bonfire on a Frozen Lake” (Liu Chuanming, Ren Guodong, Yu Bing, Xie Guohua) was the subject of great interest in the first “JAC Autumn” Song and Dance Festival . Li Ling, a famous critic, said: “The” bonfire on the ice lake “(hereinafter referred to as” the ice “) has a general enlightenment on the development of the new Chinese opera.” Wei Weilun, the playwright, said: “There is such a song and dance festival The play is enough of this! ”A photographer shooting stills, could not help but to wipe away the tears of his eyes; a college student said happily after reading,“ for which I Kuang two classes, but I think it is worth ”... It should be admitted that our Chinese opera stage is still in a“ frozen ”period. Why is the drama breaking new heights and awakening? There are probably many things in the middle that deserve our study and reflection. This is a completely fictional story: young women Shu Yun and poet Lin Fan brother is a pair of lovers, they are on New Year’s Eve, returning as beautiful