论文部分内容阅读
20世纪90代初,新加坡的一家画廊为许俊印制了一本展览图录,是个青绿山水小册子,作品不多,但帧帧俱精。我那个时候逛琉璃厂偶然淘到这个册子,就知道了“许俊”这个名字。1994年,我到日本访学,这本小册子就一直带在身边,作为探研重彩山水画的重要参考。1997年回国后,我在国际艺苑美术馆办了个展览,展览期间结识了许俊。就这样,关注许俊的作品至少有20多年的时间了。最让我钦佩的是,他以诗书画的全面修养而汇聚的高度智慧,回答了青绿山水画乃至中国画语言创新上的两个
In the early 90s of the 20th century, an art gallery in Singapore printed an exhibition catalog for Xu Jun. It was a green landscape brochure with a limited number of works, but the frame was fine. At that time I visited the glassworks accidentally Amoy to this booklet, you know “Xu Jun ” the name. In 1994, when I came to Japan for a visit, this pamphlet has always been with me as an important reference for exploring the outstanding landscape painting. After returning to China in 1997, I did an exhibition in the International Art Gallery, where I met Xu Jun. In this way, attention to Xu Jun’s work at least 20 years time. What impressed me the most is that he is highly intelligent in bringing together all-round cultivation of poetry, calligraphy and painting and answers two of the innovations in green landscape painting and even Chinese painting