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团花图案是众多民间吉祥纹样中的一种,其设计不仅体现了中华民族独特的设计美学思想,而且还包含了朴素的、辩证的哲学思想。中国传统的艺术观念主要受“天人合一”思想的影响,追求外在美和内在美的统一,倡导“仁”、“中庸”、“中和”之美,追求形神兼备的艺术魅力,表现出了先人对天地万物的理解和概括。对团花这种传统的、独特的图式的深入研究,有助于我们对传统文化遗产精髓的重新认识,其中蕴含的“平衡”、“适度”、“和谐”的发展观对于今天构建社会主义和谐社会仍具有较强的现实意义。
The flower pattern is one of many folk auspicious patterns. Its design not only embodies the unique design aesthetics of the Chinese nation, but also contains simple and dialectical philosophical thoughts. The traditional concept of art in China is mainly influenced by the idea of “harmony between man and nature”, and pursues the unification of external beauty and internal beauty, advocating the beauty of “Ren”, “middle”, “neutralization” The artistic charm of both God and God shows the ancestors’ comprehension and generalization of all things in the world. In-depth study on the traditional and unique schemata of Tuanhua helps us to re-understand the essence of traditional cultural heritage, which contains “balance”, “moderation”, “harmony” The concept of development still has strong practical significance for building a socialist harmonious society today.