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将《五朵金花》放在当时的宏大政治背景中去审视,不难看出,这部电影的诞生应该是1960年代那场斗争的一段很容易被人忽略的序曲。以日理万机的国务院总理之尊,周恩来亲自撬动一部歌舞音乐喜剧电影的创作生产,这难道不是一桩相当异乎寻常的政治事件吗?
To examine the “Five Golden Flowers” in the grand political context of that time, it is not hard to see that this film should have been a prelude to a very overlooked one in the 1960s. Is it not a rather unusual political event that Zhou Enlai personally prized the creation and production of a song and dance musical comedy film with respect to the well-being of the State Council Premier?