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进入20世纪,中国水墨画面临的时代课题。日益凸现在每一个有使命感的中国画家面前,而异质文化的入侵,更加剧了本土文化的变革。不再一成不变地继承传统文人画的衣钵,已经构成这个世纪的基本主题。周韶华的艺术探索便始终紧扣着这一时代的基本主题,始终把研究的重心放到对传统的创造性转化这个基点上来,并且是在精神与语言两个层面上同时展开。从80年代初的“大河寻源”始,他的艺术探索便一直具有明确的精神指向和文化指向。所谓大河寻源,并非简单去寻找一条河的源头。作为一个民族的摇篮,黄河一向被视为中华文化与
Into the 20th century, the Chinese contemporary era of ink painting. It is increasingly highlighted by every Chinese painter who has a sense of mission. The invasion of heterogeneous cultures further exacerbates the transformation of local cultures. No longer inheriting the mantle of traditional literati painting unchanged, has constituted the basic theme of this century. Zhou Shaohua’s exploration of art has always been closely linked with the basic theme of this era. His research has always been focused on the traditional point of view of creative transformation, and at the same time on both the spiritual and linguistic levels. From the early 1980s, he has always had a clear spiritual orientation and cultural orientation in his exploration of the great rivers. The so-called river search for the source, not simply to find the source of a river. As the cradle of a nation, the Yellow River has always been regarded as the Chinese culture