论文部分内容阅读
2016年11月18日—26日由中国戏剧家协会、上海市文学艺术界联合会、上海市教育委员会共同主办的第五届中国校园戏剧节于上海拉开帷幕。笔者有幸作为青年评论员观摩了专业组的11台大戏,就此谈谈自己的一些感想。表现校园的戏剧具有先天的局限性,第一就是表现主题的有限。爱情与死亡是戏剧永恒的主题。在校的学生正值青春年华,朝气蓬勃,是早晨八九点钟的太阳,与“死亡”相去甚远,如果非要写死亡,也显得很偶然,很局促,很难具有校园的代表性。“爱情”
November 18-26, 2016 The 5th China Campus Theater Festival co-hosted by the Chinese Dramatists Association, the Shanghai Federation of Literary and Art Circles, and the Shanghai Municipal Commission of Education kicked off in Shanghai. I was honored as a young commentator to observe the professional group of 11 drama, to talk about some of their feelings. The performance of campus drama has inherent limitations, the first is the performance of the theme is limited. Love and death are the eternal themes of drama. The students in school are at their youth and are full of vigor and vitality. They are the sun at eight or nine o’clock in the morning. They are far from “Death ”. If it is necessary to write death, it is also very coincidental and very cramped. It is difficult to have a campus Representation. “love”