论文部分内容阅读
在当下的行草书创作中,真正以碑帖融合而论,写出自己独特的艺术表现语言和个性风格,且有一定影响力者,无疑,金伯兴是其中很有代表性的一位。作为当代书家,金伯兴以一手奇谲的“丑怪书”显名书坛,其书自然无饰、古淡质朴,显示出独特的艺术魅力。自清中后期碑学兴起以来,在行草书方面,碑与帖的融合在传统帖学之外又开一新途,并在实践中主要沿着前述的两条路径前行。但与碑学兴起后篆隶楷正体书所取得的巨大成就相比,行草书的探索、尝试似乎难臻上善,碑帖融合中失之生硬、拗峭、荒率者大有人在,
In the current line cursive writing, the true combination of rubbings, write your own unique artistic expression language and personality style, and have some influence, no doubt, Kimberly is one of the most representative one. As a contemporary bookworm, Kimberly is famous for his unique book “Ugly Book”. His book is naturally without ornaments, ancient and simple, showing unique artistic charm. Since the rise of the study of emperors in the middle and late Qing dynasty, the integration of the essay with the essay has opened up a new path beyond the traditional etiquette in the field of cursive writing. In practice, it mainly follows the two paths mentioned above. However, compared with the tremendous achievements made by Zhuan Li and Kai Zang in the book after the rise of Bei Jing, the exploration and trial of cursive cursive books seem hard to achieve good results. However,