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盛唐的丰腴风尚也体现在绘画上。西安永泰公主墓中的壁画,画家张萱的《虢国夫人游春图》,画中的贵妇和侍女人人都丰颊肥体,个个是风姿绰约,就连画上的鞍马也膘肥体壮。素有“草上飞”美称的骏马,怎么在画上却是有肉无骨呢?这种肥马与当时的画马名家曹霸笔下的“贵瘦硬”的骏马形象有天壤之别。那么这位画家是谁呢?他就是韩干。韩干,京兆蓝田人,一作大梁(今河南开封)人。画家少时家境贫困,曾当过酒家的小伙计。他经常给酒家送
Tang’s plump style is also reflected in the painting. Xi’an, the tomb of the Princess in the tomb of the mural, the painter Zhang Xuan’s “Madam Queen’s Spring Tour,” the lady and maid in the picture are plump body fat, all of them graceful, and even the pommel horse also fat body strong. Known as “grass fly ” reputation of the horse, how the painting is a meat without bone it? This fat horse and the painting of the famous horse master Cao tyrants “expensive thin ” horse image World of difference. So who is this painter? He is Han Gan. Han dry, Jing Zhao Lantian, a beam (now Henan Kaifeng) people. When the painter rarely lived in poverty, he had been a small boy in the restaurant. He often sends to the restaurant