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勃拉姆斯的《B小调单簧管五重奏》第二乐章中,单簧管与小提琴交织出的那个主题,与古琴曲《广陵散》给予人的感受,相似,又有不同。《广陵散》引诱人慢慢往黑暗涌动的高台上行进,直到暗色逼迫,高台上的人忍无可忍,于是纵身一跃,一了百了。当然,龚一演奏的《广陵散》和管平湖演奏的《广陵散》又有不同。龚一的《广陵散》没有矛戈相向的杀伐气,如果闭着眼睛听,随琴声而来的黑暗如同远山上的浓云。那些黑暗没有方向,没有缝隙,黏到成为
Brahms’s “B minor cinch Quintet,” the second movement, Clarinet and violin intertwined the theme, and the guqin “Guangling San” gives the feeling, similar, there are different. “Guangling San” temptations slowly moving to the dark surging platform, until the dark persecution, people on the high platform intolerable, so jumped into the sky. Of course, there is a difference between “Guangling San” by Gong Yi and “Guangling San” by Guan Pinghu. Gong a “Guangling San” did not spear Gehua kill gas, if you close your eyes to hear, with the piano sound from the dark as the clouds on the distant mountains. Those darkness have no direction, no gap, stick to become