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中国读者和观众最渴求的是喜剧,可中国文学和艺术中最缺乏的恰恰是喜剧,于是退而求其次,相声便成了宠儿,然而相声的容量毕竟有限,且多数限于滑稽,未能普遍上升到幽默的层次,不可能长期满足10亿观众对于喜剧的渴求,于是逐渐有点失宠,代之而起的是小品。本来,小品在世界舞台上,并不限于喜剧性,它可以是非常抒情的,甚至是悲剧的,意味抽象的,然而在中国,小品在短
Chinese readers and audiences are most desperate for comedies, but the most lacking in Chinese literature and art is precisely comedies, so come back to the next, crosstalk has become the darling, however, crosstalk capacity is limited, and most are limited to comic, not universal Up to the humor level, it is impossible to meet the long-awaited desire of one billion viewers for a long time. As a result, it gradually fell out of favor and replaced it with a sketch. Originally, sketch in the world arena, not limited to comedy, it can be very lyrical, even tragedy, which means abstract, but in China, sketch short