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在书法史研究过程中,作品归宿有问题不是什么新鲜的事物,专家们对《青天歌卷》真伪的争论,已经不是作品本身的真伪问题。笔者以为,“徐渭风格太多”(真赝混杂)难以分清,应当引起我们足够的重视。
In the process of the study of calligraphy history, it is not a fresh thing that the work homework has a problem. The debate among the experts about the authenticity of the “blue sky song” is no longer the question of the authenticity of the work itself. The author believes that “Xu Wei style too ” (true pseudo-mixed) is difficult to distinguish, we should cause enough attention.