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书法艺术经过汉代的不断发展,在六朝时期其审美价值逐渐超过了实用价值,成为人们在书法艺术创作中的主要追求。在此期间的书法理论都对书法美做出了不同的阐释,体现了书法审美的不断进步。从西晋书论中关于“心”、“意”的论述到卫夫人、王羲之书论中“意在笔先”观点的提出,都体现了人们在书法创作中对“意”的继承和发展。
After the continuous development of calligraphy in the Han Dynasty, the aesthetic value of calligraphy gradually surpassed the practical value in the Six Dynasties and became the main pursuit of people in calligraphy. During this period, the calligraphy theory made different interpretations of calligraphy beauty, reflecting the continuous improvement of calligraphy aesthetic. From the discussion about “heart” and “meaning” in the calligraphy of the Western Jin Dynasty to the proposal of Madame Wei and Wang Xizhi ’s “ Meaning ”succession and development.