论文部分内容阅读
书法是通过笔墨物化在纸面等材料上的艺术样式,它无疑要通过书写汉字的动作来实现物化,以表达书法的基本要素和艺术效果。有动作,必然有技法的要求。如提、按、快、慢、导、送等等。所以,书法不讲技法不行,不遵循书法技法的规律和规范的书写行为是野狐禅、乱画符。中国书法史是一部书法作品史,离开作品的书法史是难以想象的。但仅有这样的理解是远远不够的,中国书法史也是一部书家史、思潮史、制度史、书写材料演变史和书法文化史。我们不能片面地夸大书法技法的重要而忽略了其他。目前的书界似乎出现了一股唯技法的风潮,
Calligraphy is the artistic style of materialized on the surface of paper through ink and brush. It undoubtedly realizes the materialization through the action of writing Chinese characters in order to express the basic elements of calligraphy and the artistic effect. Action, there must be technical requirements. As mentioned, press, fast, slow, guide, send and so on. Therefore, the calligraphy does not speak skills, not follow the law of calligraphy and norms of writing behavior is the wild fox Chan, doodle character. Chinese calligraphy history is a history of calligraphy, leaving the works of calligraphy history is unimaginable. However, such understanding is not enough. Chinese calligraphy history is also a history of calligraphy, history of thought, institutional history, evolution of writing materials, and history of calligraphy. We can not unduly exaggerate the importance of calligraphy techniques and neglect others. The current book industry appears to have emerged as a wave of exclusively technical methods.