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剧作家坚持说:剧本是一剧之本,体现了作者的艺术追求;如果演员随意改动台词,就可能违背创作的意愿。表演艺术家则主张演员是在演戏,不是念剧本,可以根据表演的需要改动台词。一种是固于执守,一成不变的思想;一种是取于假想,推翻常理的创新思维。在现代社会中,毋庸置疑,后者与时代同步。日心说的提出是敢于创新,人类登月想法是敢于创新,载人潜水想法是敢于创新。无论那些想法在当时看来是否能实现,是否合乎常理,那最起码是表达了人们的美好愿望,是人类思想前进的一小步,况且如今的日心说
The playwright insisted that the script is a script for the play and reflects the artist’s artistic pursuit. If the actor is willing to change his lines, he may run counter to the wishes of the author. Performing artists advocate actors are acting, not read the script, you can change the lines according to the needs of the show. One is a firm and sticking to the unchangeable ideas; the other is an innovative thinking that takes the hypothetical and overthrows the common sense. In modern society, there is no doubt that the latter is in sync with the times. The idea of heliocentricity is to dare to innovate, the idea of human lunar landing is to dare to innovate, and the idea of manned diving is to dare to innovate. Whether or not those ideas seemed to be achievable at the time and whether common sense was justified, at the very least, they expressed the good wishes of the people and were a small step forward for the advancement of human thought. Moreover, today’s heliocentric theory