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一个青年电影创作群落的诞生,标志着中国电影事业自有声片以来,被传统的“影戏”模式一统天下的局面结束了。构成这个年青创作群落主体的是,八二年以来陆续毕业于北京电影学院的新一代电影工作者。《黄土地》、《一个和八个》、《喋血黑谷》、《猎场札撒》、《黑炮事件》的相继问世(人称之为“探索影片”), 不仅极大地震动了中国影坛,也使得国际影坛不能不对它们刮目相视! 然而,随着探索影片的毁誉之争,创作个体受到不同思潮的影响,探索电影主体开始逐渐分化出流派的趋向已成为颇值得玩味的事实。
The birth of a young film creation community marks the end of the situation dominated by the traditional “movie and movie” mode since the soundtrack was established in China’s film industry. The main body constituting this young creative community is a new generation of movie workers who graduated from Beijing Film Academy one after another since 1982. The coming of “Yellow Land”, “One and Eight,” “Bloodshed Black Valley,” “Hunting Ground Zha Sa,” and “Black Cannon Incident” (which people call “exploratory films”) have not only greatly shaken Chinese cinema However, as the exploration of the dispute between the prestige of film and the creation of individuals is influenced by different trends of thought, it is quite interesting to explore the tendency of movie subjects to gradually differentiate into schools of genres.