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冠以“人文新淮剧”的《半纸春光》,取材于郁达夫《春风沉醉的晚上》和《薄奠》。于是在舞台上,这两篇小说的主人公——青年知识分子慕容望尘、烟厂女工陈二妹和黄包车夫李三住在了上海老弄堂“德华里”的同一个屋檐下,三位当年的外来“蚁族”与邻居们一道,共同描摹了上世纪二三十年代都市社会最底层平民的一幅生活风情画。淮剧长于演绎劳苦民众的形象及故事,久而积累了较固化的创演范式,诸如维持生计受苦受难、遇到困难互帮互助、表达情感
With “Humanistic New Huaihua Drama” as the “Half Paper Spring,” it is based on Yu Dafu’s “Spring Intoxicated Night” and “Thin Lay.” So on the stage, the protagonists of these two novels, the young intellectuals Murong Wangchen, the tobacco factory women Chen Ermei and the rickshaw driver Li San live in the same roof of the old alley in Shanghai and Dehua Lane, The foreign “ant tribe”, together with the neighbors, painted a life style painting of the lowest civilians in urban society in the 1920s and 1930s. Over time, the performance of the Huai opera was based on the images and stories of the hard-working people. It accumulated a relatively solid foundation for its performance, such as suffering and suffering, suffering difficulties, helping each other and expressing feelings