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二十世纪初面对社会的急剧变革,俞剑华作为美术学理论的研究者以积极参与文化与艺术的变革姿态,撰述理论、表明观点、确立目标,对美术学研究领域起到引领与推动作用,为美术学理论现代符号化系统的变革与重建奠定了基础,创立了范式。他的研究影响深远,逐渐形成的俞剑华学派,在美术学研究领域占据重要地位。今日重温俞剑华的著作,我们发现当年其学术思想、研究成果对今天的美术学理论研究与实践仍有着重要的现实意义。
At the beginning of the twentieth century, facing the rapid change of society, Yu Jianhua, as a researcher of the theory of fine arts, took an active part in the changing stance of culture and the arts, wrote theories, expressed opinions and set goals, played a leading and promoting role in the field of fine arts studies, It laid the foundation for the transformation and reconstruction of the modern symbolic system of fine arts theory and established the paradigm. His research has far-reaching influence and gradually formed Yu Jianhua School, occupying an important position in the field of fine arts research. Today, reviewing Yu’s writings, we find that his academic thinking and his research achievements still have important practical significance for the study and practice of today’s fine arts theory.