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“短期行为”是生产企业部门用来形容生产无计划性的专门用语。近几年来正被广泛使用,把这个用语用来形容近些年来京剧界的一些无长远规划的、盲目的艺术实践,也同样适用。这些年来,京剧界的“短期行为”都有哪些呢? 1983年开始的经济承包应该算一种“短期行为”。京剧团体的经济承包,目的在于改善剧团的经营管理,改革“大锅饭”这种不合理的分配制度,调动广大演职员的积极性,应该说是一种振兴京剧的措施。但是,由于承包团体工作的着眼点只放在经济效益上,削弱甚至忽视剧团内的思想政治工作,党的领导形同虚设,形成了一股离心力,因此,承包团体大多是短命的,“自由结合”成为一种“短期行为”。常常有这样的情况,当一个承包团体相对稳定,有了比较固定的保留剧目的时候,还没有来得及扩大上演剧目,就因为某些原因宣告解体。经过再度重新“自由组合”后,新组成的团体又要重新排练原有的传统剧目,不长的时
“Short-term behavior” is a specialized jargon used by manufacturing units to describe unplanned production. It is being widely used in recent years and this term is used to describe some of the non-long-term planning and blind artistic practices of the Beijing opera industry in recent years. What has been the “short-term behavior” of the Beijing opera industry over the years? The economic contract that started in 1983 should be regarded as a “short-term act.” The purpose of the economic contract of Beijing opera groups is to improve the operation and management of the troupes and to reform the irrational distribution system such as “big pot and rice”, arouse the enthusiasm of the broad cast members and should be said to be a measure to revitalize Beijing Opera. However, as the focus of contracting groups’ work is only on the economic benefits, the ideological and political work in the theater is weakened or even ignored, the leadership of the party is in name only and a centrifugal force is formed. Therefore, most contracting groups are short-lived and “free combination” Become a “short-term behavior.” It is often the case that when a contracting group is relatively stable and has a relatively fixed reservation of repertory, it has not had time to expand its play and has, for some reason, declared its dissolution. After a new “free combination”, the newly formed groups have to re-organize the original traditional repertoire. When not long