文化底蕴与盆景制作——评周文广的山水盆景

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我曾讲过:大凡要在盆景艺术创作上有所成就者,除了需要天赋、耐性和艰苦的磨炼外,还要具备较高的文化素质与美学修养,并在自己作品中反映出自己对人生理想和追求,使之情景交融,品位高雅。只有高层次的文化低蕴才能产生高水平作品。这里,要在1999年评为“跨世纪中国杰出盆景艺术家”中选定为“秀中之秀”的周文广作为代表人物来评介,不仅因为他早年对中国古典文学有相当修养,对中国古琴、绘画等艺术有所偏爱,还因为他饱尝过生活的煎熬和艰辛。为了塑造祖国的名山大川的宏伟气魄和独特的自然风光,他曾经踏遍海南的山山水水,数年之间,从南海的腹地黎母山,到天涯海角的鹿回头,从五 I once said: In general, some achievements in the artistic creation of bonsai need not only talent, patience and arduous training, but also a high cultural quality and aesthetic accomplishment, and reflect their own life on their own life Ideal and the pursuit of the scene blend, taste elegant. Only a high level of cultural heritage can produce a high level of work. Here, Zhou Wen-guang, selected as “Outstanding Show Artist” in “Trans-century China Outstanding Bonsai Artist”, was selected as a representative to comment on not only because of his early accomplishments in Chinese classical literature but also in his study on Chinese guqin, Painting and other art preference, but also because he has tasted the suffering and hardships of life. In order to shape the magnificence and unique natural scenery of the famous mountains and rivers of the motherland, he has traveled mountains and rivers in Hainan for several years. From the motherland of Leh in the South China Sea to Luhuitou at the ends of the earth,
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