论文部分内容阅读
水墨山水画源于王维,但当下几乎不见王维原作,倒是王维隐居之地辋川却在后世画家手上不断描绘与刻画,从据传是王维自己的《辋川图》到郭忠恕的刻线版,都对这个隐居之所寄托了某种想象,辋川乃是一个“藏心”之所,山水画乃是藏心洗心安心之所。当我看到已过四十不惑之年的画家雷刚,少年老成,以自己发明的网格线重构古典山水画,总是让我想到辋川图及其线刻
Ink and wash landscapes originated from Wang Wei, but the moment is almost no see Wang Wei original, it touches Wang Wei seclusion of the land but in the hands of future painters continue to portray and depict, from the legendary Wang Wei’s own “Wang Chuan map” to Guo Zhong Shu Engraved version of this seclusion have been pinned on some kind of imagination, Wang Chuan is a “hidden heart ” of the place, landscape painting is a humble heart of peace of mind. When I saw the painter Lei Gang, who had passed the age of forty, the elder Juvenile, reconstructing the classical landscape painting with his invented grid lines, always reminds me of the Wangchuan Figure and its line engraving