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我与钱松喦先生的交往,始于1977年秋初,他赴京为毛主席纪念堂作画。其时,江苏省国画院组成老中青结合的创作组,按要求以韶山、井冈山、遵义、延安、北戴河为中心,创作五幅大画,反映毛主席的革命历程。钱老的任务是画延安,具体构思定为枣园曙光。当我在北京饭店老楼与他交谈时,他所表露的对党对毛主席的感情,是诚挚而深厚的。那一年,钱老已是78岁高龄,一
My interaction with Mr. Qian Songyan began in the autumn of 1977 and he went to Beijing to paint Chairman Mao Memorial Hall. At that time, the art academy of Jiangsu Province formed an integrated group of Lao Zhongqing and Qinghai artists and created five large paintings focusing on Shaoshan, Jinggangshan, Zunyi, Yan’an and Beidaihe on request, reflecting Chairman Mao’s revolutionary course. Qian’s task is to paint Yan’an, the specific idea set as the dawn Zaoyuan. When I spoke with him in the old building of Beijing Hotel, he showed his sincere and deep feeling toward the party toward Chairman Mao. That year, old money is 78 years old, one