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怎样解释宝卷的基本概念,是进行宝卷研究的前提。通过总结和补正前辈学者郑振铎、李世瑜和泽田瑞穗的研究,重新梳理和归纳宝卷的命义、宝卷的历史发展,特别是清及近现代民间宝卷的发展及其特点。以此为基础,对当代仍在流传的宝卷和宝卷演唱活动(宣卷)在“非物质文化遗产”活动中的定位和发掘、保护等问题,提出讨论。
How to interpret the basic concepts of Baojuan is a prerequisite for the study of Baojuan. By summarizing and supplementing the researches of the predecessors Zheng Zhenduo, Li Shiyu and Sawada Sawau, we can sort out and summarize the historical significance of Baojuan, the development of Baojuan, especially the development and characteristics of Qingjian and modern folk treasure volumes. On the basis of this, the paper discusses the positioning, excavation and protection of the contemporary “Bao-Juan” and “Bao-Juan” singing activities in the activities of “Intangible Cultural Heritage”.