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对于写实风格,黄鸣在《真实的彼岸》一文中,曾经运用现象学的观点,做出过如其油画中某些精致细节的用心考量。在那里,他清楚地意识到,写实主义者在当代艺术情境中,已经很难依靠错觉的奇迹津津自得,而更多的应该投注于通过镜像的描述,寻找到认识彼此的力量,这种寻找,作为画家,最重要的原则之一是,能够运用独特、有效、持续的语言和手段,去响应和挖掘隐藏在众生心灵中的类同体验,从而获得对“真实”这一意识核心概念的更大程度的贴近。
For realistic style, Huang Ming used the phenomenological point of view in his article “The True Bazaar” to make careful consideration of some of the fine details of his painting. There he clearly realized that in the context of contemporary art it is hard for realists to relish their miracles of illusion, and more should be devoted to finding the power to know each other through a mirror image of the description One of the most important principles as an artist is to be able to respond to and tap the similar experiences hidden in the souls of all sentient beings by using unique, effective and sustained language and means to gain the core of the “true” consciousness The concept of a greater degree of close.