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在中国诗学中 ,以“人”论诗并不仅仅是一种譬喻 ,而是对文学作品由内而外、由本体到形式的全面要求。人懂得如何在所有人的生命活动中运用“内在的固有尺度”,按照美的规律来进行创造。人的文学艺术活动正是这样一种人的自我构成手段 ,是人类从其“内在的固有尺度”出发 ,根据自己的需要和目的所从事的以人为中心的自觉自由的创造。中国传统诗学批评以人为中心的出发点和以“人”论诗的审美标准 ,对当代文学批评的建设有着积极的昭示意义
In Chinese poetics, “poetic” poetry is not merely a metaphor, but an overall requirement for literary works from the inside to the outside and from the ontology to the form. People know how to use “inherent inherent scales” in the life activities of all people and create them according to the laws of beauty. Man’s literary and artistic activities are exactly the means by which a person forms itself and is a man-centered, conscious and free creation of mankind proceeding from his “inherent inherent measure” according to his own needs and purposes. The starting point of Chinese traditional poetics criticizing people as the center and the aesthetic standard of “human” poem have a positive meaning to the construction of contemporary literary criticism