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《世界导演对话录》按照地理位置来编排,在内容选择上兼收并蓄。在意大利导演中,维斯康蒂借由一次成功的冒险超越了新现实主义,奥尔米则颠覆了新现实主义。在以法语为第一语言的导演中,有从新浪潮转为保守派的导演特吕弗与侯麦;有最伟大的电影小丑和视觉喜剧家塔蒂;还有将社会意识重新带回欧洲电影的领军人物达内兄弟。亚洲导演中,雷伊和黑泽明——他们可以说是所有类型片的大师。张艺谋,他在二十世纪八十年代将中国电影引入西
“World Director Dialogue,” according to the geographical location of the layout, content selection and eclectic. Among Italian directors, Visconti overtook neo-realism by a successful adventure, and Ormemi subverted neo-realism. Among French-speaking directors, Truvrou and Houma, directors from the new wave to conservatives; Tati, the greatest movie clown and visual comedian; and the reintroduction of social awareness back to European cinema Leader of the brotherhood. Among Asian directors, Rey and Kurosawa - they can be said to be masters of all genres. Zhang Yimou, who introduced Chinese films to the West in the 1980s