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不知而有慧第一个痕迹,是随意的,它可能是对的也可能是错的。随后的转变将把人带入一个创作的迷宫。如果一个人在创作中,不刻意关注目的和实现的途径,而是细心专注地做眼前的工作,那么整个过程(迷宫中)将是非常充盈并充满新发现的。在一次来中国的航班上我遇见一个微生物学家,他说到种植墙技术的问题(一百米高的种植墙)。他发现植物不喜好在玻璃下生长,而最终他放弃了探索原因。我问他“是因为玻璃笼罩下
I do not know the first traces of Hui, is casual, it may be right or wrong. Subsequent shifts will bring people into a creative maze. If a person in the creative, not deliberately concerned about the purpose and the way to achieve, but to focus on doing the immediate work, then the whole process (in the maze) will be very full and full of new discoveries. On a flight to China I met a microbiologist who talked about planting wall technology (a hundred-meter high planting wall). He found that plants do not like to grow under the glass, and eventually he gave up the reason to explore. I asked him ”because of the glass