论文部分内容阅读
《山河故人》是贾樟柯继《天注定》失利后的求变之作,该影片较他之前的电影更接底气,票房上也实现了跨越式的突破,但是口碑却差强人意。本文将以《山河故人》为例,通过三个方面分析贾樟柯电影的局限,并提出一些解决办法。
“The enemy of the mountains and rivers” is Jia Zhangke’s successor to the change after the defeat of “The Heavenly Destiny”. The film took more steps than his previous film and achieved a leapfrog breakthrough at the box office, but its reputation was far from satisfactory. This article will take the example of “the enemy of mountains and rivers” as an example to analyze the limitations of Jia Zhangke’s films through three aspects and to propose some solutions.