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作者自述:当我们游走于山间林野,徜徉于海滨城乡,面对实景,架起画架准备开工的时候,当我们面对实景生出表达意愿的时候,出景入境已成为必然。这一出一入,便是画境的由来,打动人心者即此。所谓出景者,即将眼中世界作为催化的媒介,而不仅仅是抄袭的对象。出得眼中景,方能表心迹,达臻情。入境者,以出景为前提,不为实景所累,借景达境,以景入境,直抒胸臆,可触动观者心弦,一笔一画,涂抹揉擦,油彩渐次
The author’s statement: When we walk in the mountains and forests, wandering in the coastal urban and rural areas, facing the real scene, erected easel ready to start when we face the real expression of willingness to make the inbound entry has become inevitable. This one comes in, it is the origin of the picture, impress people that. The so-called blockade, the eyes of the world as a catalyst for the media, not just the object of plagiarism. Out of the middle of the eye, before the table can track, up to Zhen. Immigrants, to the premise of the scene, not for the real burden, by the King of Dali, King into the territory, direct expression, can touch the viewer heart, one by one painting, rubbing rub, oil gradually