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乐府诗是继诗经之后我国文学史上的另一类现实主义作品。汉乐府中的《孔雀东南飞》和北朝乐府中的《木兰诗》更是乐府诗中最为璀璨的奇葩,因而被赋予了“乐府双壁”的美名。在这两首乐府诗中分别塑造了弃妇刘兰芝,封建专制的大家长焦母和代父出征的花木兰这三种截然不同的女性形象,来勾勒出我国古代妇女不同的生活及精神面貌。通过对这三类典型人物的分析我们可知她们所追求或者被给予的幸福无异于在刀尖上起舞。
Yuefu Poetry is another kind of realistic works in the history of Chinese literature after the Book of Songs. The “Peacock Flying Southeast” in the Han Dynasty and the “Mulan Poem” in the Yuefu of the Northern Dynasties are the most brilliant flowers in the Yuefu Poems. Therefore, they have been given the reputation of “Double Happiness”. In these two Yuefu poems, the three different female images of abandoned woman Liu Lanshi, feudal autocratic parent Jiao Mu and generation Mulan respectively were used to outline the different lives and mental outlooks of ancient Chinese women. Through the analysis of these three types of typical figures, we can see that the happiness they seek or give is tantamount to dancing at the tip of a knife.