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当下是一个阅读图像化、碎片化、网络化的时代,尤其处在世界华文文学边缘的东南亚国度,一切以商业唯马首是瞻,文学、文化并没有受到应有的平等关注与重视,华文文学更是处于自生自灭、逆境图强、逆流而上的艰难境遇中,几乎不存在专业华文作家,绝大部分作者都是以业余爱好从事创作。有鉴于台湾著名诗人林焕彰早先在东南亚华文诗坛推广六行(含六行)规制内的“小诗磨坊”群体的小诗创作,我曾经在菲律宾践行过“菲华小诗磨坊”;由于其更像一个小群体而在推广时受过诸多限制,同
The present era is an era of reading images, fragmentation and networking, especially in the Southeast Asian countries on the fringe of Chinese literature in the world. All this is based on commercial victories. Literature and culture have not received the equal attention and emphasis they deserve. Chinese literature is even more Few professional Chinese writers exist in the difficult circumstances of self-sufficiency, strong anti-situation and counter-current. Most writers are engaged in hobby. In view of the fact that the well-known Taiwanese poet Lin Huan-chuan used to promote the poem creation in the “Little Mills” group in the six-line (including six lines) regulation of the Southeast Asian Chinese poetry community, I have practiced in the Philippines " Because of its more like a small group in the promotion of a lot of restrictions, with