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从古至今有关书画理论的书籍已很多,技法方面的丛书也不少。我主要想在这里就宇宙间普遍规律在中国书画中的运用和中国书画一般规律作一些探讨,尤其石涛提出的“一画”说,至今众说纷纭,我感到用哲学中对立统一规律给以说明则更加明了。写这篇文章的目的是想将自己研究中国画论,本人学习中国书画的一些实践体会,加以整理使之条理化,明晰化,以指导自己今后的创作。后感如若发表,一方面可得有关专家指教,以正其谬误,如有一点可取之处,也可抛砖引玉,为系统中国书画理论,促进中国
Since ancient times, there have been many books on the theory of calligraphy and painting, and many books on techniques. I mainly want to make some discussions here on the application of universal laws in the universe in Chinese calligraphy and painting and the general laws of Chinese painting and calligraphy. In particular, the “one painting” theory put forward by Shi Tao has so far been divided, and I feel it is explained by the unification law of opposites in philosophy More clear. The purpose of writing this essay is to try to organize and clarify some practical experiences of studying Chinese painting theory and Chinese painting and calligraphy so as to guide our future creation. Possession if published, on the one hand can be experts advise, in order to correct its fallacies, if there is a merit, can also initiate, for the system of Chinese painting and calligraphy theory, promote China