我的“中国画新六法”

• 作 者: 李夜冰
• 机 构: 山西省文史研究馆,中央文史研究馆书画院,
• 出 处: 中华书画家
• 发表日期: 2014年04期
• 关键词: 中国画色彩 笔墨语言 六法 世界艺术 契合时代 李夜冰 七法 变化无穷 骨法 墨分五色

中国画的笔墨语言在世界艺术史上独树一帜,在新的时代如何既能继承它的传统,又能丰富它的表现力,并契合时代的需求,这是我在创作中思考的重点。在我看来,作品的质量是作者的修养与笔墨语言的整体传达,只有两者恰当的结合,才会体现出作品的精神维度、张力和个性。传统讲“五墨”、“七法”等,基本都是轻重干湿变化效果。我个人喜欢将丰富的色彩与笔墨结合,墨与色混用,把墨看成是色的一种,同时用笔书写,这样效果会更加丰富但又

Chinese ink and wash language in the world art history is unique in the new era, how to inherit its traditions, but also enrich its expressiveness and meet the needs of the times, which is my focus in the creative thinking. In my opinion, the quality of the work is the author’s accomplishment and the overall communication of the pen and ink language. Only when the two are properly combined, can the spirit, tension and personality of the work be reflected. Traditionally speaking “five inks ”, “seven methods ” and so on, the basic are the effects of wet and dry changes in severity. I personally like to combine rich colors with pen and ink, mix ink with color, regard ink as a kind of color, and write with pen at the same time, so the effect will be more abundant