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当历史的风帆行将驰向二十一世纪的时候,回眸近二十年来的中国艺术舞台上,其中包括戏曲、歌剧、话剧所发生的巨大嬗变,我们不难发现,在市场经济和文化转型的双重挤压下,这里既充满着耕耘与收获,成功与欢乐,也不乏萧条与沉寂,失败和困惑.好在多元化的艺术格局,渐渐为人们所熟悉和接受;开放性的理论思维,在拒绝平庸和封闭后,能从更加广阔的艺术层面和历史高度,加以审视和检索.所以当新世纪的跫音,已隐隐回响在我们耳畔时,用十分清醒和理智的头脑,思考和梳理一下眼前已经发生和正在发生的各种纷乱错杂、兰艾难分的艺术现象,正确地把握事物的发展方向,对于我们顺利地进入明天——21世纪,总会是有助益的.进入八十年代后,在改革大潮和市场经济的冲击下,我国社会正由封闭型向开放型过渡.由此而带来的是生活方式的变更,价值观念的重估,艺术精神与审美意识的全方位的转移.毫
As history sails sail toward the 21st century, looking back at the Chinese art scene in the past two decades, including the drastic changes in the opera, opera and drama, we can easily find that in the market economy and cultural transformation Under the dual squeeze, it is full of hard work and harvest, success and joy, lack of depression and silence, failure and confusion. Fortunately, a diversified art landscape gradually becomes familiar and accepted by people. The open theoretical thinking, at Refusing mediocrity and closure can be examined and retrieved from a broader artistic level and historical height, so when the 跫 sound of the new century has faintly echoed in our ears, thinking and combing with a very sober and rational mind The immediate occurrence and the ongoing various chaos mixed, Lan Yi difficult to distinguish the art phenomenon, the right to grasp the direction of things, for us to successfully enter tomorrow - the 21st century, will always be helpful. After the era, under the impact of the tide of reform and the market economy, our society is now being transformed from a closed to an open one, resulting in changes in lifestyles, revaluations of values, Transfer a full range of spiritual and aesthetic consciousness. Milli