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在一个用“回车键”确认诗歌身份的场域中,貌似人人均可借用这枚按键,用于换行和断句,获取诗歌书写或阅读的入场券。试想,当读者下意识把这些分行排列的文字拉伸之后,某些“诗”还能成其为诗么?一首诗的诗意不仅仅依附和生成于格式,剥除外衣依然可以触碰“诗性”的诗,于当下则并不多见。然而,诗歌区别于其它所有文本的,并非简单的分行排列,而是大多数诗人基于诗之天性,基于审美逻辑空间的交换,基于人类文化语境的变迁,运用断裂和阻滞,对物象、意象、情绪和语气行以堆砌、罗列和
In a field that uses the “Enter” key to confirm the identity of a poem, it looks like everyone can borrow this key for wrapping and breaking sentences to get tickets for poetry writing or reading. Just think, when the reader subconsciously stretched the lines arranged in these branches, some “poems” can become its poetry? A poem poetic not only attached and generated in the format, stripping can still touch the outer Poems of “poetic” are rare in the moment. However, poetry is different from all other texts and is not simply a branch arrangement. Instead, most poets, based on the nature of poetry, based on the exchange of aesthetic logic space, based on the change of human cultural context, use the break and block, Imagery, mood and tone are piled up, tabulated and summed up