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欧洲十九世纪以来,社会的变革促进了资产阶级艺术家的艺术创造,特别是在艺术风格和创作手法上都作了大胆的革新,丰富和发展了古典的传统,作曲家以个人主义为思想核心,要求个性解放,在创作上不受束缚,注重内心情感的表达,着意于描绘人主观世界。这个时期的音乐是音乐家在理性王国幻灭后为自己找到的一个心灵的避难所,在这里可以找到现实生活中无法得到的满足,即主观情感的表现。由于音乐与文学产生了紧密的联系,因此音乐的体裁形式突破传统的模式而更加灵活,古典的奏鸣曲式也被赋于了更为浪漫的气质的个性化的处理。
Since the 19th century in Europe, social changes have promoted the artistic creation of bourgeois artists. In particular, they have made bold innovations in artistic styles and creative techniques, enriched and developed classical traditions, and composers have centered on individualism , Requiring the liberation of personality, unfettered in creation, paying attention to the expression of inner feelings, and intending to portray people’s subjective world. The music of this period was a spiritual refuge for musicians who found themselves after the disillusionment of the rational kingdoms, where they could find unmet satisfaction in real life, that is, the expression of subjective feelings. Due to the close connection between music and literature, the genre of music broke through the traditional model and became more flexible. The classical sonata was also endowed with a more romantic temperament and personalized treatment.