平生塞北江南——写生与关山月的艺术创作

• 作 者: 关坚
• 机 构: 岭南画院,
• 出 处: 美术
• 发表日期: 2013年06期
• 关键词: 关山月 艺术创作 唐志契 塞北江南 高剑父 余所亚 中国画艺术 艺术理念 俞剑华 中国绘画史

关山月被认为是一位以创作大幅山水画和梅花闻名于世的艺术家。纵观其一生,这位艺术家都在不停地到各地写生,甚至在他晚年将近九旬高龄时仍然坚持到云南等地写生。关山月一直信守“不动便没有画”的信念,其大部分作品是先由写生收集素材而后创作而成的。在中国绘画史上,“写生”一词最早出现于宋代花鸟画的品评中,明代唐志契更有详细描述:“昔人谓画人物是传神,画花鸟是写生,画山水是留影。”可以看出,“写生”最初只是限

Guan Shanyue is considered to be an artist famous for creating dramatic landscape paintings and plums. Throughout his life, the artist is constantly sketching around the world, even in his later years nearly ninety years of age still adhere to the sketch of Yunnan and other places. Guan Shan month has been faithful to “move without painting ” belief, most of his works are first by the sketch collection material and then made. In the history of Chinese painting, the term “sketch” appeared first in the Song and Song dynasty paintings, the Tang Dynasty in the Ming Dynasty more detailed description: “The past who describe the character is vivid, painting flowers and birds is sketch, painting landscape is a picture . ”As you can see, “ Sketching ”was initially limited