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龚自珍和魏源以“龚魏”并称,是中国封建社会末期的两位杰出诗人,同时又是民主主义运动兴起初期的两位杰出诗人。龚魏均性喜山水,都创作山水诗以寄托情志。于近代山水诗龚自珍具有开创之功,魏源则具有开拓之功。然而至今尚缺乏对二人山水诗的比较研究。本论文以此为契机,重点分析龚魏山水诗在思想感情方面的主要差异:就隐逸与入世之情而言,龚自珍以表达隐逸之情为多,魏源则以表露入世之思为主。并进而从二人成长环境、仕途经历、性格特征等方面的差异阐释造成上述不同的原因。望于进一步了解龚自珍、魏源及其山水诗有所裨益。
Gong Zizhen and Wei Yuan claimed that they were two outstanding poets at the end of the feudal society in China and they were also two outstanding poets in the early days of the democratic movement. Gong Weijin Himalayan landscapes, are the creation of landscape poetry to sentiment. Gong Zizhen in modern landscape poetry has pioneered the power, Wei Yuan has the pioneering work. However, there is still a lack of comparative study of the two poems. This paper takes this as an opportunity to focus on analyzing the main differences between the ideological and emotional aspects of Gong Wei’s landscape poems: in terms of seclusion and the accession to the WTO, Gong Zizhen uses more expressions of hermitage, while Wei Yuan focuses on revealing the ideas of joining the WTO. And then from the two growth environment, official career experience, personality characteristics and other aspects of the differences explain the different reasons. Hope to learn more about Gong Zizhen, Wei Yuan and his poems have some benefits.