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众所周知,傅抱石(一九○四——一九六五)在二十世纪中国绘画史上占有重要一席,他集国画家、篆刻家、美术史论家和美术教育家于一身,在多个领域成就卓然。单言绘画,他的山水画与人物画双峰并峙,而相对其山水画而言,学界对其人物画的关注与研究明显不足。一方面,由于傅抱石生前以“山水画家”自名,出于研究中国画中的“线”和
As we all know, Fu Baoshi (1940-1965) occupies an important position in the history of Chinese painting of the 20th century. He is a painter, seal-cutting artist, art historian and art educator in many fields Zoran achievements. Monograph painting, his landscape painting and figure painting bimodal confrontation, and relative to the landscape painting, the academic circles of its portrait painting concern and research is obviously insufficient. On the one hand, because of his life, Fu Baoshi used the title of “landscape painter” to study the “line” in Chinese painting and