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戏剧舞台被很多“定向”的东西左右以后,已经很少能听到风格化、个性化的声音了。就我来看,剧作家的能力,在后现代文化大潮的冲击下,正在大幅度下降,很多剧作家已然成为各界老板花边新闻的热衷者了。或者说,戏剧好像要被一般性的无厘头、扯闲淡所取代,而显得有些无足轻重。这种情况下,有人想发出风格化的、个性化的声音,是一件十分困难的事情,是一种不识时务的行为。但是,当我们翻开缎昆仑戏剧自选集》,就能感觉到,剧作家段昆仑是个例外。
After the theater stage is dominated by many “directional” things, it is rare to hear stylized and personal voices. From my point of view, the ability of the dramatist, under the impact of the tide of postmodern culture, is dropping sharply. Many dramatists have become enthusiastic fans of the gossip of all walks of life. In other words, the drama seems to be replaced by general nonsensical, rip-off, which seems insignificant. Under such circumstances, it is a very difficult task for someone to want to make a stylized and personalized voice. It is an act of incapacity. However, when we open the satin Kunlun drama anthology ", we can feel the playwright Duan Kunlun is an exception.