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笔墨中华固有,具不可伦比之优:方便、质朴、耐久、出反差、生气韵、洒脱、流利、健美、通畅、养志、娱情——是艺术兼可修身,可忽视哉? 其籍体性、熔通变、臻练达、示风骨、炼古今、及事类、显神采、易裁接、可比兴、或涵蓄、或夸饰、或漫演、或丰茂、隐才略、生气机、起节奏、通经脉、益心扉、颐永年。功可渭大矣！ 国画和书法著重讲究用笔使墨。书画的物质基础是笔与墨;书画的精神体现也是笔与墨。 笔是运转、墨是载体,一上入中国固有之宣纸成型为笔痕墨渍。三千年的品尝探索终于形成众所周知的使用方法。方法有一致性和多样性,也即普遍性和特殊性:基本方法不变又有各式各样风格表现。中华书画给人以美感与笔墨因缘大有关系。现就此谈些初步见解:
Inherent in Chinese ink, with unparalleled superiority: convenient, simple, durable, out of contrast, angry charm, free and easy, fluent, bodybuilding, patency, Yang Zhi, entertained - is art and self-cultivation, Sex, meltdown change, attaining sophistication, showing style, refining the ancient and modern, and things, was vivid, easy to take over, comparable Xing, or implied, or exaggerated, or comic, or lofty, hidden strategy, angry machines, Rhythm, meridians, benefits heart, Yi Yong years. Great work can be done! Chinese painting and calligraphy stress pen ink. The material basis of calligraphy and painting is pen and ink; the spirit of painting and calligraphy is also pen and ink. Pen is functioning, ink is the carrier, into China’s inherent Xuan paper into pen marks ink stains. Three thousand years of taste exploration has finally formed a well-known use. The method is consistent and diverse, that is, universal and specific: the basic methods remain unchanged and have all kinds of style performance. Chinese painting and calligraphy gives a sense of beauty and pen origin. Here are some preliminary insights: