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肖野为人随性淡漠,之前的画室在水泥森林的高层,被他自己起名叫城市上空,他虽好客但也不太喜过于频繁的交际,他创作的状态虽没有到大隐于世的境界,但多少有着几分离群索居的味道。他画画创作就像札记散文,留心世事、有感而发。早年间有一批成都东郊老厂系列的写生油画,描绘成都城东旧址,还被贾樟柯收录到《二十四城》电影的纪录片中去,东郊记忆当真对他而言能算作是童年故土,浮城旧影。大概是从那个时候开
Xiao Ye people casual indifference, before the studio in the cement forest of high-rise, was himself named the city over his hospitable but he is not too fond of frequent communication, although he did not create a state of great hidden in the world , But how many have separated from the taste of home. His painting is just like reading essays, keeping an eye on the world, and having feelings. In the early years there was a series of sketches depicting the old factories in the eastern outskirts of Chengdu depicting the old site of Chengdong in Chengdu and the documentary films of “24 cities” collected by Jia Zhangke. The memory of the eastern suburbs really counts for him as a childhood Homeland, the old city shadow. Probably from that time on